A little wetness on the reverb adds a great sound to audio production although other radio imaging producers may argue that reverb is old fashioned and that you should knock out low and high frequencies on a voice over so that it cuts through anything – just like those fancy men’s razors you see advertised on TV! 2. This is not something I would apply in the waveform view of Adobe Audition rather the multitrack as it involves a number of different effects (including Dynamics Processing, Graphic Equalizer and Studio Reverb). Some voice artists don’t need this process but in many cases sessions come in dry and need a little brightening up. I push up the high range frequencies to give a little sparkle to the voice. I add some of my own custom EQ to voice overs, like my own, and other voice over artists that perform work for Music Radio Creative.
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